文本来源：佛山英语培训

 

Where are all the beautiful, powerful, black-skinned females from mythology and history? They were erased by Western art, argues Sophia Smith Galer. Clash of the Titans was one of the most popular films of 1981. Its glittering retinue of Hollywood stars told the story of Perseus, the demigod from Greek mythology who kills a sea monster and saves the beautiful princess Andromeda from being said monster’s lunch. Such was the film’s popularity that it was remade in 2010; the film managed a rather disparaging 26% on the Rotten Tomatoes site. How many of those rating the film had a classical education is unclear, but perhaps it would have performed better had its producers done their research. As according to British art historian Elizabeth McGrath’s 1992 article The Black Andromeda, Andromeda was, indeed, originally depicted as a black princess from Ethiopia. More like this: – Eight odd details hidden in masterpieces – The rare blue the Maya invented – Striking images of black struggle Anyone who watched either of the two Clash of the Titans films will know that Judi Bowker and Alexa Devalos are both white women, and anyone who has seen Andromeda in a painting – perhaps Titian’s or Poynter’s – will believe she is white too. But McGrath’s article was definitive in addressing three things: that all the Greek mythographers placed Andromeda as a princess of Ethiopia, that Ovid specifically refers to her dark skin and that artists throughout Western art history frequently omitted to depict her blackness because Andromeda was supposed to be beautiful, and blackness and beauty – for many of them – was dichotomous. There is no doubt about Andromena’s race, according to Professor McGrath. “It’s as clear as mud,” the historian tells BBC Culture, almost three decades after the publication of her article.